Zenmuse X7 Cinematic Vision Rising
The Zenmuse X7 is a compact Super 35 camera with an integrated gimbal made for high-end filmmaking that delivers stunning resolution and image quality. Its compatibility with the Inspire 2 offers the best in next-level professional aerial cinematography. A 24 MP CMOS sensor rated at 14 stops of dynamic range preserves astonishing detail and offers both 6K CinemaDNG and 5.2K Apple ProRes with support for continuous RAW burst shooting at 20 fps and 24 MP stills. The X7 also introduces the DL-Mount, the world's first integrated aerial lens mount that allows switching between four available prime lenses quickly. For seamless editing, a new DJI Cinema Color System preserves accurate colors for easier post-processing. These latest innovations allow filmmakers to reach new heights and capture scenes as they imagine them with the DJI Zenmuse X7.
Engineered for ExcellenceR
The X7 uses a Super 35 sensor, and its high readout speed supports RAW output at 6K/30 fps and 3.9K/59.94 fps. The pixel size reaches 3.91 µm and the diagonal length of the sensor is 26.6 mm when recording. A sensor this size offers a higher sensitivity to light and 14 stops of dynamic range — much wider than the 12.8 stops featured on the Zenmuse X5S.Furthermore, the SNR of the X7 is 46 dB, 8 dB higher than the X5S, and the tonal range is as high as 9.41 bits. All of these features offer unlimited creative options for a better workflow in the most demanding situations on set.DJI DL-Mount System
Taking advantage of new FSI-Cu technology, the X7’s sensor features thinner interconnection, allowing light to reach the sensing area via alarger incident angle for increased photosensitivity. This enables amore compact lens mount to be used on this sensor while maintaining excellent image quality.The flange focal distance of the DL-Mount is less than 17 mm – roughly 1/3 of the size of a PL-Mount. Such a compact mount means that the X7 weighs only about 630 g with a lens included. Together, the X7 and Inspire 2 weigh around just 4 kg with the ability to capture the same challenging shots as more heavy-duty setups weighing up to 40 kg.Wide Dynamic Range Scene
DL Lenses
DJI offers four prime lenses for the DL-Mount system, with focal lengths ranging from 16-50 mm and resolutions of up to 8K. Made of lightweight carbon fiber and designed by world-leading optics teams, the four lenses have been embedded with advanced technologies crafted specifically for the X7’s high-end image sensor.| Dimensions | 151 × 108 × 132 mm |
| Weight | 449 g |
| Sensor | Sensor Size (Still): 23.5×15.7 mm Sensor Size (Max video recording area): 23.5×12.5 mm Effective Pixels: 24 MP |
| Supported Lenses | DJI DL-S 16mm F2.8 ND ASPH (with lens hood and balancing ring/filter) DJI DL 24mm F2.8 LS ASPH (with lens hood and balancing ring/filter) DJI DL 35mm F2.8 LS ASPH (with lens hood and balancing ring/filter) DJI DL 50mm F2.8 LS ASPH (with lens hood and balancing ring/filter |
| Supported Micro SD/SSD Cards | MicroSD: Class 10 or UHS-1 rating with a writing speed of 15 MB/s required; Max capacity: 64 GB SSD: DJI CINESSD |
| Photo Sizes | 3:2, 4:3, 16:9 |
| Photo Formats | DJI CINESSD: DNG Micro SD: DNG, JPEG, DNG+JPEG |
| Operation Modes | Capture, Record, Playback |
| Still Photography Modes | Micro SD: Single Shot, Burst Shooting (3/5/7/10 shots), Auto Exposure Bracketing (3/5 bracketed shots at 0.7 EV bias), Interval SSD: RAW Burst (3/5/7/10/14/∞ frames), up to 20 fps when using RAW Burst (exact quantity is determined by storage card capacity and battery power level) |
| Shutter Speed | Electronic Shutter Speed: 1/8000 – 8s Mechanical Shutter Speed: 1/1000 – 8s (DJI DL-S 16mm F2.8 ND ASPH not supported) |
| ISO Range | Photo: 100 – 25600 Video: 100 – 1600 (EI mode on); 100 – 6400 (EI mode off) |
| Video Formats | CINESSD: CinemaDNG, ProRes Micro SD: MOV, MP4 |
| Video resolution | Aspect Ratio 17:9 CinemaDNG 6K: 6016×3200, 23.976/24/25/29.97/30p, 12-bit, full FOV 4K DCI: 4096×2160, 23.976/24/25/29.97/30p, 12-bit, full FOV 3.9K: 3944×2088, 47.95/50/59.94, 12-bit, narrow FOV ProRes 4K DCI: 4096×2160, 23.976/24/25/29.97/30p, 10-bit, HQ, full FOV 2K: 2048×1080, 47.95/50/59.94p, 10-bit, HQ/XQ, narrow FOV H.264 4K DCI: 4096×2160, 24/25/30/48/50/59.94p H.265 4K DCI: 4096×2160, 24/25/30p Aspect Ratio 16:9 CinemaDNG 6K: 5760×3240, 23.976/24/25/29.97/30p, 12-bit, full FOV 4K Ultra HD: 3840×2160, 23.976/24/25/29.97/30p, 12-bit, full FOV 3.7K: 3712×2088, 47.95/50/59.94, 12-bit, narrow FOV ProRes 4K Ultra HD: 3840×2160, 23.976/24/25/29.97p, 10-bit, HQ/XQ, full FOV 2.7K: 2704×1520, 47.95/50/59.94p, 10-bit, HQ, narrow FOV FHD:1920×1080, 47.95/50/59.94p, 10-bit, HQ/XQ, narrow FOV H.264 4K Ultra HD: 3840×2160, 24/25/30/48/50/59.94p 2.7K: 2720×1530, 24/25/30/48/50/59.94p FHD: 1920×1080, 24/25/30/48/50/59.94p HD: 1280×720, 24/25/30/48/50/59.94p H.265 4K Ultra HD: 3840×2160, 24/25/30p 2.7K: 2720×1530, 24/25/30/48/50/59.94p FHD: 1920×1080, 24/25/30/48/50/59.94p HD: 1280×720, 24/25/30/48/50/59.94p Aspect Ratio 2.44:1 ProRes 5.2K: 5280×2160, 23.976/24/25/29.97/30p, 10-bit, HQ, full FOV H.264/H.265 4K Ultra HD: 3840×1572, 30p, full FOV Refer to the User Manual for more information. |
| Operating Temperature Range | -4 to 104° F (-20 to 40° C) |
| Storage Temperature Range | -4 to 140° F (-20 to 60° C |
| Angular Vibration Range | ±0.005° |
| Mount | Detachable |
| Controllable Range | Tilt: +40° to -125°; Pan: ±300°; Roll: ±20° |
| Mechanical Range | Tilt: +50° to -130°; Pan: ±330°; Roll: +90° to -50° |
| Max Controllable Speed | Tilt: 180°/s; Roll: 180°/s; Pan: 360°/s |
| Exposure Mode | Auto, Manual, Shutter Priority, Aperture Priority |
| Exposure Compensation | ±3.0 (3 stops of light) |
| Metering Mode | Center-Weighted Metering, Spot Metering (12 × 8 area selection) |
| AE Lock | Supported |
| White Balance | Auto, Sunny, Cloudy, Incandescent, Neon, Custom (2000 K – 10000 K) |
| Video Captions | Supported (AVC/HEVC) |
| PAL/NTSC | Supported |
| Ultrasonic Dust Removal | Supported |
